Wynk Music brings to you Kalo Megh MP3 song from the movie/album Kalo Megh. NAgar - AFAIK is a very civilized person - not at all sure why mIrA addresses krishNa as 'giridhar nAgar' - may be to distinguish him as the suave and civilized one as opposed to her rustic self.Jesan Ovi, Ayash Khan, Stromz Vai, Md Ehsanul Habib Onik, Md. MeerA kE prabhu giridhar nAgar - It is the time for mIrA's (mIrA kE) Lord (prabhU), giridhar toĪnand mangal gavan ki - sing (gAvan) and make happy (Anand) and auspicious (mangaL) music SItal pavan suhAvan ki - as cool (SItal) and pleasant (suhAvan) wind (pavan) blows by Nanhi nanhi boonde meghA barse - the clouds (mEghA) shower (barsE) tiny (nanhI) droplets (bUndE) of water Umad ghumad cArun disA sE aayo - I hear the sounds of thunder (umaD ghumaD) coming (AyO) from (sE) all 4 (cArUn) directions (disA)ĭAmini damke jal aavan ki - lightning (dAmini) flares (damkE) heralding the arrival (Avan kI) of the rains (jal)
SAwan mein um agyo merO manvA - my (mErO) mind (manvA) always exults (umag AgyO) in (mein) Spring (sAvan)īhanak suni hari aavan ki - I hear (sunI) the sounds (bhanak) of krishNa's (hari) arrival (Avan kI) SAwan ki man bhavan ki - the clouds of spring (sAvvan kI), the clouds that entertain (bhAvan kI) the mind (man) Why such a treatment? because, Bhajans are but offering of Prayers where as all others are but performances, where each singer attempts to reveal his/her depth of music knowledge.īarse badariyaa sAwan ki - let the clouds (badariyA) of spring (sAvan kI) shower (barsE) One reality is that classical theories are most often violated while rendering, still every one enjoys without giving any concern for deviations, if any, in the phrases/notes priscribed for a raga, while singing Bhajans. Bhajans music reaches to the heart of every listener and are also rarely being criticized by music critics on its musical contents.
This may be the reason why an ordinary listener with very little or no exposure to Sasthriya Sangeeth, enjoys, sometimes more, light bhajans or thukkadas than the main raga Alapana/RTP part.Ī classic example to this aspect is the present day trend in so called "Bhajanotsavam" conducted all over our country as well as abroad, attracting large crowd. It is the melody of the song that matters more than its theoretical aspects, due to the priority for the content of sahithya beauty, communicated to the mind of the listeners. Vijay, your views are really a practical aspect when looked into singing of Bhajans as thukkadas at the end of any Katcheri.